Forthcoming September 2020, Wesleyan University Press.
Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes―linguistic, cultural, racial, familial―of those whose lives are shaped and transformed by immigration. The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.
"This gorgeous debut troubles and reshapes notions of belonging against the backdrop of a country obsessed with its own exclusions, erasures, borders, institutions, and violence. Geter's poems simmer original forms of witness and resistance." ―Claudia Rankine, Citizen
"Here is the history of this country in all its blood and complication, with all its promise and betrayal. These poems are an accounting, a testimony, a prayer―poems meant to quiet the animal inside us." ―Nick Flynn, I Will Destroy You
"Like a high lyric conversation overheard...done with attention to what this one beautiful story says about the so-called American story." ―Jericho Brown, The Tradition
"Unflinching and undeniable, these poems edge against exile’s reverberating consequences, and in gorgeous language deliver a trenchant understanding of which worlds one can and cannot inhabit, ever aware of both the power of imagination—and its limits." ―Khadijah Queen, Anodyne
"A remarkable debut that troubles the meaning of 'protection'...an act of transformation that ferries love into poems of unapologetic and enlarging testimony. ―Catherine Barnett, Human Hours